A word is a piece of language. In the same way a pebble, a shell, a shard of china are all fragments of a language, a message from the past. Each object bears the mark of its history and traces of its journey to the present day, to the time when I pick it up and try to read its story. Sometimes the writing is clear and sharp like the imprint of a fossil, sometimes obscure like reading copper-plate writing through a green glass bottle.
These findings have often been lost for millennia and only arrive on the shore, and into the present, through the actions of waves, tides, rock-falls and longshore drift. For many years I have walked the strandline of the Jurassic Coast, picking up objects that catch my imagination. I now have bowls, jars, tins and boxes of this beach-treasure. It is time to catalogue my collection and write the history of the objects from the clues borne by each one.
I am starting by drawing each piece, building up the image with tiny strokes of sepia ink. This enables me to get to know the nature of each fragment. The slow process of drawing allows time for reflection and speculation on each mark – what caused a scratch, a crack, a particular colour or sheen . . . By the time I have finished drawing, I know my subject intimately. I have examined its shape, texture and colour using my hands and my eyes. A story has started to emerge from each object and I start to piece together its lost words.
I apologise to all my followers for not having posted a blog for a while. This is because I have been busy creating a sketchbook of Chesil Beach. This has just been published and features different places along the Chesil bank at various times of the year.
The idea came from having written many blogs about Chesil for the BBC Wildlife website as one of their Local Patch Reporters. Once these blogs were published, they disappeared into the ether. I therefore decided I would use these as the starting point for my book before they were lost forever. I wanted the printed version to look just like an original sketchbook, so had it bound with board covers and a metal spiral binding for the spine. I hand-finished each one with a title label on the front.
The book is a mixture of handwritten text and illustrations in ink and watercolour. I follow the seasons and the months, starting with Spring and ending with Winter, featuring plants, shells, fossils etc found along the coast. Birds, fauna, boats and lobster pots all appear, in fact anything that caught my imagination in the unique habitat of the Chesil bank.
I enjoyed revisiting all the locations along the Chesil and, each time, came across new things to write about. Quite often it was the small things, like finding a grasshopper on the pebbles at Abbotsbury, that most inspired me. By publishing A Year on Chesil BeachI wanted to rediscover and celebrate the diverse environment found along the Chesil at different times of the year. By putting everything together in one book, I feel I have gone a little way towards portraying some of the mystery and beauty of the Chesil coast.
I am pleased to say the book is proving popular in Waterstones (Dorchester branch), Waterstones (Bridport branch), the Gallery on the Square (Poundbury) and Dansel Art Gallery in Abbotsbury. It will be available in other outlets soon.
I am now planning the next book and will cast my net wider to include the whole of the Jurassic Coast.
A Year on Chesil Beachis published by Archaeopteryx-Imprint Ltd and is available from their website www.archaeopteryx-imprint.co.uk
Behind the Chesil bank at Abbotsbury, there is a hinterland, neither beach nor countryside. This area between high tide mark and the beginning of fields is known as the Littoral Zone. This is an apt name (regardless of the spelling) as the sea rarely reaches this area, so it is often littered with a strange array of objects, blown by the wind and caught in the scrubby undergrowth. This marginal area is joined to the land by a coastal path, a kind of selvedge that binds the border of the beach and attaches it to the countryside beyond. Yet this path also acts as a separation zone, the plants either side of the track being quite different.
Just as thoughts crowd your mind between sleep and waking, so the findings in this marginal area are random and sometimes disturbing. Ragged feathers and weathered scraps of driftwood mingle with plastic bottles, brightly coloured cigarette lighters and cellophane packaging and a nightmare selection of anglers’ rubbish. Light pink sea fan coral flits on the breeze and sometimes fossils of sea urchins surface from the shingle when you least expect to find anything worthwhile.
Mid-September and the sun is low in the sky, silvering glimpses of the sea and glossing the pebbles. I walk along the coastal path where teasels form a palisade to the seaward side. On my right, bordering a field, are tall stalks of seeding wild leeks (Babington’s leeks). These nod their heavy heads in the wind – clusters of dark brown seeds with wispy tendrils attached.
On the edges of the beach are the rubbery bat-wing leaves of Sea kale draped on the shingle. A few thrift flowers are in bloom, incongruously pink among the autumn colours. Sea campion is still flowering, the delicate bell-like shapes inspiring its folk-lore names of ‘dead man’s bells’, ‘witches’ thimbles’ and ‘Devil’s hatties’. The pale pink tassels of Tamarisk hang beside the path, decorating the tangle of twisted trunks and fringing the shady tunnels within the clump.
From the corner of my eye I see the seeds of the Creeping thistle float then vanish on the wind.
A gale force south-westerly was blowing so I headed for Hive Beach, Burton Bradstock on the Jurassic coast to do some wave-watching. The sea was huge and grey topped by white manes. A deep roaring sound filled the air as waves broke across the shingle. Curds of foam were blowing across the beach like enormous snowflakes.
I walked head down into the wind scanning the strandline. What looked like a piece of clear cellophane caught my eye. On closer inspection I saw a beautiful whorled pattern like a spider’s web and realised it was a tiny By-the-Wind Sailor jellyfish (Vellela) only about 1cm across. It was transparent and delicate, but marked with a concentric pattern and topped by a tiny translucent sail.
I then noticed that there were hundreds of these tiny creatures all over the beach. Some were a deep sapphire blue and up to about 8cm long whereas others were completely transparent. All were whorled like finger prints and delicate as glass. They were scattered all along the strandline like miniature shipwrecked yachts. The tiny tentacles on their undersides weren’t apparent, but, when I picked one up it left inky blue residue on the palm of my hand.
Like exquisite solar panels, the tiny medusa convert sunlight to energy, their small sails align with the direction of the prevailing winds and they are carried helplessly along, often to be wrecked in their thousands on the west coast of America. It is unusual to see them in Dorset. Storm Desmond has caused the biggest influx of these marine creatures in a decade.
I’ve never seen these beautiful little crafts before and it was both exciting and sad to see so many stranded on the shore, left high and dry by the rough seas.
Last day of the summer holidays and Chesil Beach is empty. It lies like a bleached bone along the Jurassic Coast. The sky is a pale and distant blue. Autumn term is dawning and six year old Jago is moving up from the ‘Mary Anning’ class. He has his new school shoes and is noticing everything today – a lit-up moment between past and future.
We walk down the path to Cogden beach among clouds of Common blue butterflies and floating thistledown. Three-year-old Finley is singing to himself and jumping dramatically over piles of rabbit droppings. Jago can’t wait to find a fossil. On the beach he lifts a huge stone, shouting he’s found a dinosaur bone. Every stone seems marked with the traces of past life, spirals which could be ammonites, ridges that hide belemnites, curves of ancient shells and fish. I point out the seed pods of the Sea kale to Finley and he immediately starts picking off the dense black balls and planting them in the shingle.
Along the strandline is a silvery line of hundreds of dead whitebait, looking like twists of silver paper. A huge pipe, about thirty feet long, has been washed up on the beach. It is covered, inside and out, in Goose barnacles, stranded high and dry. The legend was that these goose-shaped shellfish with their long necks, eventually open their white wings and fly away as Barnacle geese.
This theory of spontaneous regeneration was put forward in the Twelfth Century by Bishop Giraldus Cambrensis who said that Irish Churchmen would eat the Barnacle goose during fasts because ‘these birds are not flesh nor being born of the flesh for they are born at first like pieces of gum on logs of timber washed by the waves. Then enclosed in shells of a free form they hang by their beaks as if from the moss clinging to the wood and so at length in process of time obtaining a sure covering of feathers, they either dive off into the waters or fly away into free air.’ This myth became widespread.
At the edge of the shingle the yellow flowers of the Horned poppy are glowing like the autumn sun, contrasting with clumps of silvery-grey Sea Kale. Today summer ended. The sky is shimmering in the puddles on the path. Jago jumps in, forgetting his new shoes, scattering shards of pale blue water across the pebbles.
Do you ever have one of those days when you want to hide from the world? Sometimes things get too busy and you just need time out. I had a day like that recently. Things went haywire right from the start. I felt like a double image where my real self was out of alignment and slightly removed from reality.
I set off along the South Dorset Ridgeway above Portesham, feeling exposed and vulnerable on the chalky path. I saw myself from a distance – an ant on a strip of white paper – insignificant and infinitely squashable. The light was brash and a strong wind winnowed from the coast raking fields of barley to a silver sea. My hair blew across my face and I stumbled over flints. Hawthorn trees bent away from the relentless gales, their limbs twisting as they tried to escape.
I came across a sign for Hampton Stone Circle but couldn’t see any sign of it. Then, amongst a weedy patch in the corner of the field I saw it – the grey backs of the stones just visible through the stalks of cow parsley and brambles. I threaded my way through the tangle of undergrowth and sat on the first stone I saw. I was hidden by the tall stems of the grass surrounding me. The stone felt strangely warm, a comfortable place to sit out of the wind. Here it was quiet apart from the rustling of leaves and the low buzz of insects.
I stayed there a while feeling sheltered and protected from the bright open landscape. I couldn’t count the stones as they were covered by vegetation. It was as if they had grown from the ground. Looking up I could see the circle of the sky. Under my hand, the surfaces of the stones were calloused and veined. I could smell the pineapple weed dotted around by my feet. Pale moths flitted ghostlike from leaf to leaf. A pink and green grasshopper landed on my foot. Far away a skylark was singing.
When I stood up the world was a circle around me, half bordered by sea. I closed my eyes and heard the barley moving like surf. I wondered about the people who had made stone circles and what prompted them to create such structures. Words and ideas shifted around in my mind. I could hear the sound of pebbles being moved endlessly in the long-shore drift along the Jurassic Coast.
As a child I spent my summer holidays in East Devon on the farm where my grandparents lived. I remember being fascinated by the red soil, the red cows and the red pebbles at Budleigh Salterton. This beach lies near the western end of the Jurassic Coast and at the mouth of the River Otter. Over fifty years ago I visited this place with my Grandma. Yesterday morning I stood here once more, studying the sculpted red cliffs behind the beach.
At intervals, whitish bulges run vertically down from the cliff top. These are the fossilised roots of trees which had existed 235 million years ago when Britain was part of a huge land mass much nearer the equator. These trees had sent roots down into the red sandy desert searching for water. Minerals that dissolved in the water grew in crystals round the roots encasing them. As time went by the streams moved and the plants died leaving the nodules encasing their roots. The fossilised remains tell this ancient story.
It was hard work walking on the beach over large round pebbles varying in colour from pale pink to dark red, some with vivid splotches and others veined with lines of quartz. There were small black ones with white stripes and pink marbled ones mottled with brown. These pebbles come from a layer in the cliff called the Budleigh Salterton Pebble Bed. They are unique and were deposited by a river 250 million years ago before being buried. Erosion has caused them to be dislodged from the cliff, forming the beach. They are made of a very hard rock called quartzite.
On the shoreline were flanges of strange white jelly glistening among the pebbles. I think they must have been torn-off tentacles of the barrel jellyfish that have been sighted recently off the coast. There was little other debris apart from cuttle fish and the occasional crab shell.
Behind the beach and the brightly coloured beach huts were banks of coastal wild flowers and the exotic Hottentot fig. The tufted tops of wild carrot, pink lacy thrift, pale convolvulus, woody tree mallows and valerian all flourished here with a buzzing throng of insects visiting the flower heads.
In the distance the marshy mouth of the Otter formed a plateau backed by a row of trees that looked like a scene off an old railway poster, the reds and greens of this unique landscape giving the place a slightly surreal feeling. Somewhere inland, beavers were making this river their home.
At the end of the day I was at Chiswell on Portland, towards the eastern end of the Jurassic Coast, watching the sun go down off Chesil. A beachcomber, limbs weathered like driftwood foraged on the shore grappling with a tangled mass of orange, blue and green rope. He eventually walked away leaving these dreadlocks from the sea sprawled on the pebbles like a punk-style mermaid.
At 6am the moon was a wedge of lemon on a purple plate. By mid-morning the sun had retreated behind a sea mist that settled like white feathers in the hollows of Chesil Bank. The scrunch of my feet trudging across the pebbles sounded like an army, the noise echoing as I went over the top.
During the Second World War Chesil Beach was lined with ‘pill boxes’, the remains of which can still be seen. The bouncing bomb or Dambuster was trialled here and many aircraft were shot down along the beach. In the height of the war there were dogfights overhead and the remains of a Hurricane have since been excavated. The Chesil Beach Centre has an exhibition at the moment about the role of the Fleet and Chesil in WWII.
In no-man’s land between the highest point and the sea, the debris of an invasion is washed up on the shingle – plastic bottles, brightly coloured cigarette lighters, flip flops, rags and metal cans – all bound together with fishing wire and rope – an onslaught of marine litter jettisoned at sea. Chesil is waging a war against waste. Here and there are shells, skulls of seabirds, driftwood and cuttlefish – the natural and biodegradable objects thrown up by the sea. I find myself focusing on these, but the lurid detritus of civilisation (as we call it) keeps drawing my eye.
At the Eastern end of the bank, in the shadow of Portland Bill, the pebbles are large and multi-coloured, many having washed up from the Budleigh Salterton cliffs in East Devon. The result of the longshore drift is that pebbles are graded by size from the largest in the east to much smaller shingle on the western end of Chesil Beach. It’s hard work marching across these shifting pebbles and I bend forward into the wind, looking down at the many colours that make up the beach. In the summer Little Terns will be nesting here, the chicks perfectly camouflaged against the pebbles.
A rusting hulk is perched on the crest of the bank like a tank pointing out to sea, old desolate huts and towers huddle behind wire fences. Today there’s no sign of the hares which hunker down in the trenches by the Fleet. The only evidence of life – a few crows picking over the rubbish, checking for corpses of fish and gulls. I find a pebble with a hole in and hold it like a talisman.
As I turn away from the sea I notice a strange white line in the water running parallel to the shore. Behind the beach, where the vegetation begins, are signs of new growth – flowers of Danish Scurvy like tiny white stars forecasting a brighter future . . .
The sea is beaten pewter – a tankard frothing with white foam. Gulls lurch over the waves, dipping and diving in the icy easterly wind. The shingle is scoured clean, flattened by the force of the waves. The air is saltwater, the sea full of air. A ball of empty egg cases of the common whelk (Buccinum undatum Linnaeus) bounces along the shoreline, light as the gobs of white foam blowing off the sea.
Another chunk had fallen off the yellow ochre cliff, leaving an overhang which looked ready to drop. The perpendicular face is composed of bands of sandstone, called Bridport sands, topped with inferior oolite and fullers earth. People stood heedlessly beneath the bulge, despite the evidence of recent rock falls. Others were throwing small rocks at bigger rocks trying to dislodge ammonites.
Huddled on the beach like a flock of grey sheep are humps of stone carelessly shorn by the waves of ragged fossils, revealing smooth bluish flanks, stained brown like dried blood and marked with the shapes of ancient sea-life. These fluent outlines have been swimming through the stone for millennia – a hidden world of strange creatures caged in jurassic rock. Fragile bones, leaves, membranes, tentacles, even faeces, all cradled delicately in a flock of obdurate stone.
The mysterious outlines drawn on the surface of these rocks speak of a time we can only imagine – a time when people valued the properties of stone for creating dwellings, stone circles, marking ancient ways, carving statues and as a base for cave art. Perhaps those people instinctively recognised the power of stone to preserve the past and last forever, holding secrets and clues to life on earth. Maybe when we look for fossils, we are subconsciously searching for answers – about the past, present and future . . .
Conditions are harsh where pebbles meet soil. Today at Abbotsbury there is snow in the air. A south-westerly has sculpted clouds into mountains which cast their shadows over the sea like a map of the world. A rainbow tints the sallow winter downs and I can taste salt in the sleet.
A thicket of tamarisk, or salt cedar, thrives here at the back of the Chesil bank – stout glossy stems like a fistful of coloured pencils – white, ochre, sepia, raw sienna, ultramarine blue and umber. No flowers, just a scribble of matted beards where the blooms have shrivelled. Deep in this tangle of stems are blotches of bright yellow-green lichen. On the sheltered edges of the clump, a fringe of spiky new leaves defies the winter gales. These tamarisk trees are tethered to the ground by long tap-roots which seek out deep water.
Last summer on the Isles of Scilly I saw a lean elderly fisherman by a tamarisk tree. He was brown and sinewy as the twisting twigs above him, limbs shiny with sun and salt. Fishermen used to weave the stems of tamarisk into lobster pots. The branches are pliable, strong enough to withstand the force of winter, salt-resistant and strong as rope – it grew in the right place and seemed made for the purpose.
This group of tamarisk trees is dense and tangled – an efficient windbreak. In Egyptian mythology it is said that the body of Osiris was hidden in a tamarisk tree in Byblos until it was retrieved by Isis. I imagine that a small creature sheltering in this thicket of tamarisk, to weather the winter storms, may have difficulty finding its way out – just like a lobster from a pot.