Behind the Chesil bank at Abbotsbury, there is a hinterland, neither beach nor countryside. This area between high tide mark and the beginning of fields is known as the Littoral Zone. This is an apt name (regardless of the spelling) as the sea rarely reaches this area, so it is often littered with a strange array of objects, blown by the wind and caught in the scrubby undergrowth. This marginal area is joined to the land by a coastal path, a kind of selvedge that binds the border of the beach and attaches it to the countryside beyond. Yet this path also acts as a separation zone, the plants either side of the track being quite different.
Just as thoughts crowd your mind between sleep and waking, so the findings in this marginal area are random and sometimes disturbing. Ragged feathers and weathered scraps of driftwood mingle with plastic bottles, brightly coloured cigarette lighters and cellophane packaging and a nightmare selection of anglers’ rubbish. Light pink sea fan coral flits on the breeze and sometimes fossils of sea urchins surface from the shingle when you least expect to find anything worthwhile.
Mid-September and the sun is low in the sky, silvering glimpses of the sea and glossing the pebbles. I walk along the coastal path where teasels form a palisade to the seaward side. On my right, bordering a field, are tall stalks of seeding wild leeks (Babington’s leeks). These nod their heavy heads in the wind – clusters of dark brown seeds with wispy tendrils attached.
On the edges of the beach are the rubbery bat-wing leaves of Sea kale draped on the shingle. A few thrift flowers are in bloom, incongruously pink among the autumn colours. Sea campion is still flowering, the delicate bell-like shapes inspiring its folk-lore names of ‘dead man’s bells’, ‘witches’ thimbles’ and ‘Devil’s hatties’. The pale pink tassels of Tamarisk hang beside the path, decorating the tangle of twisted trunks and fringing the shady tunnels within the clump.
From the corner of my eye I see the seeds of the Creeping thistle float then vanish on the wind.
As a child I spent my summer holidays in East Devon on the farm where my grandparents lived. I remember being fascinated by the red soil, the red cows and the red pebbles at Budleigh Salterton. This beach lies near the western end of the Jurassic Coast and at the mouth of the River Otter. Over fifty years ago I visited this place with my Grandma. Yesterday morning I stood here once more, studying the sculpted red cliffs behind the beach.
At intervals, whitish bulges run vertically down from the cliff top. These are the fossilised roots of trees which had existed 235 million years ago when Britain was part of a huge land mass much nearer the equator. These trees had sent roots down into the red sandy desert searching for water. Minerals that dissolved in the water grew in crystals round the roots encasing them. As time went by the streams moved and the plants died leaving the nodules encasing their roots. The fossilised remains tell this ancient story.
It was hard work walking on the beach over large round pebbles varying in colour from pale pink to dark red, some with vivid splotches and others veined with lines of quartz. There were small black ones with white stripes and pink marbled ones mottled with brown. These pebbles come from a layer in the cliff called the Budleigh Salterton Pebble Bed. They are unique and were deposited by a river 250 million years ago before being buried. Erosion has caused them to be dislodged from the cliff, forming the beach. They are made of a very hard rock called quartzite.
On the shoreline were flanges of strange white jelly glistening among the pebbles. I think they must have been torn-off tentacles of the barrel jellyfish that have been sighted recently off the coast. There was little other debris apart from cuttle fish and the occasional crab shell.
Behind the beach and the brightly coloured beach huts were banks of coastal wild flowers and the exotic Hottentot fig. The tufted tops of wild carrot, pink lacy thrift, pale convolvulus, woody tree mallows and valerian all flourished here with a buzzing throng of insects visiting the flower heads.
In the distance the marshy mouth of the Otter formed a plateau backed by a row of trees that looked like a scene off an old railway poster, the reds and greens of this unique landscape giving the place a slightly surreal feeling. Somewhere inland, beavers were making this river their home.
At the end of the day I was at Chiswell on Portland, towards the eastern end of the Jurassic Coast, watching the sun go down off Chesil. A beachcomber, limbs weathered like driftwood foraged on the shore grappling with a tangled mass of orange, blue and green rope. He eventually walked away leaving these dreadlocks from the sea sprawled on the pebbles like a punk-style mermaid.
At 6am the moon was a wedge of lemon on a purple plate. By mid-morning the sun had retreated behind a sea mist that settled like white feathers in the hollows of Chesil Bank. The scrunch of my feet trudging across the pebbles sounded like an army, the noise echoing as I went over the top.
During the Second World War Chesil Beach was lined with ‘pill boxes’, the remains of which can still be seen. The bouncing bomb or Dambuster was trialled here and many aircraft were shot down along the beach. In the height of the war there were dogfights overhead and the remains of a Hurricane have since been excavated. The Chesil Beach Centre has an exhibition at the moment about the role of the Fleet and Chesil in WWII.
In no-man’s land between the highest point and the sea, the debris of an invasion is washed up on the shingle – plastic bottles, brightly coloured cigarette lighters, flip flops, rags and metal cans – all bound together with fishing wire and rope – an onslaught of marine litter jettisoned at sea. Chesil is waging a war against waste. Here and there are shells, skulls of seabirds, driftwood and cuttlefish – the natural and biodegradable objects thrown up by the sea. I find myself focusing on these, but the lurid detritus of civilisation (as we call it) keeps drawing my eye.
At the Eastern end of the bank, in the shadow of Portland Bill, the pebbles are large and multi-coloured, many having washed up from the Budleigh Salterton cliffs in East Devon. The result of the longshore drift is that pebbles are graded by size from the largest in the east to much smaller shingle on the western end of Chesil Beach. It’s hard work marching across these shifting pebbles and I bend forward into the wind, looking down at the many colours that make up the beach. In the summer Little Terns will be nesting here, the chicks perfectly camouflaged against the pebbles.
A rusting hulk is perched on the crest of the bank like a tank pointing out to sea, old desolate huts and towers huddle behind wire fences. Today there’s no sign of the hares which hunker down in the trenches by the Fleet. The only evidence of life – a few crows picking over the rubbish, checking for corpses of fish and gulls. I find a pebble with a hole in and hold it like a talisman.
As I turn away from the sea I notice a strange white line in the water running parallel to the shore. Behind the beach, where the vegetation begins, are signs of new growth – flowers of Danish Scurvy like tiny white stars forecasting a brighter future . . .
Conditions are harsh where pebbles meet soil. Today at Abbotsbury there is snow in the air. A south-westerly has sculpted clouds into mountains which cast their shadows over the sea like a map of the world. A rainbow tints the sallow winter downs and I can taste salt in the sleet.
A thicket of tamarisk, or salt cedar, thrives here at the back of the Chesil bank – stout glossy stems like a fistful of coloured pencils – white, ochre, sepia, raw sienna, ultramarine blue and umber. No flowers, just a scribble of matted beards where the blooms have shrivelled. Deep in this tangle of stems are blotches of bright yellow-green lichen. On the sheltered edges of the clump, a fringe of spiky new leaves defies the winter gales. These tamarisk trees are tethered to the ground by long tap-roots which seek out deep water.
Last summer on the Isles of Scilly I saw a lean elderly fisherman by a tamarisk tree. He was brown and sinewy as the twisting twigs above him, limbs shiny with sun and salt. Fishermen used to weave the stems of tamarisk into lobster pots. The branches are pliable, strong enough to withstand the force of winter, salt-resistant and strong as rope – it grew in the right place and seemed made for the purpose.
This group of tamarisk trees is dense and tangled – an efficient windbreak. In Egyptian mythology it is said that the body of Osiris was hidden in a tamarisk tree in Byblos until it was retrieved by Isis. I imagine that a small creature sheltering in this thicket of tamarisk, to weather the winter storms, may have difficulty finding its way out – just like a lobster from a pot.